Fleda had awaited his rejoinder in deep suspense; such was her imagination of the possibility of his having, as she tacitly phrased it, let himself go on paper that when it arrived she was at first almost afraid to open it. There was indeed a distinct danger, for if he should take it into his head to write her love-letters the whole chance of aiding him would drop: she would have to return them, she would have to decline all further communication with him: it would be quite the end of the business. This imagination of Fleda's was a faculty that easily embraced all the heights and depths and extremities of things; that made a single mouthful, in particular, of any tragic or desperate necessity. She was perhaps at first just a trifle disappointed not to find in the note in question a syllable that strayed from the text; but the next moment she had risen to a point of view from which it presented itself as a production almost inspired in its simplicity. It was simple even for Owen, and she wondered what had given him the cue to be more so than usual. Then she saw how natures that are right just do the things that are right. He wasn't clever—his manner of writing showed it; but the cleverest man in England couldn't have had more the instinct that, under the circumstances, was the supremely happy one, the instinct of giving her something that would do beautifully to be shown to Mrs. Gereth. This was a kind of divination, for naturally he couldn't know the line Mrs. Gereth was taking. It was furthermore explained—and that was the most touching part of all—by his wish that she herself should notice how awfully well he was behaving. His very bareness called her attention to his virtue; and these were the exact fruits of her beautiful and terrible admonition. He was cleaving to Mona; he was doing his duty; he was making tremendously sure he should be without reproach. Owen, as if in quest of his umbrella, looked vaguely about the hall—looked even wistfully up the staircase—while the neat young woman complied with Fleda's request. Owen's eyes then wandered out of the open door. "I think it's awfully nice here," he observed; "I assure you I could do with it myself."!

CHAPTER XI "He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration.

"The deuce knows what has become of it, Miss Vetch!" Owen cried. "It seemed all to go to pot as this horrid struggle came on." He was close to her now, and, with his face lighted again by the relief of it, he looked all his helpless history into her eyes. "As I saw you and noticed you more, as I knew you better and better, I felt less and less—I couldn't help it—about anything or any one else. I wished I had known you sooner—I knew I should have liked you better than any one in the world. But it wasn't you who made the difference," he eagerly continued, "and I was awfully determined to stick to Mona to the death. It was she herself who made it, upon my soul, by the state she got into, the way she sulked, the way she took things, and the way she let me have it! She destroyed our prospects and our happiness, upon my honor. She made just the same smash of them as if she had kicked over that tea-table. She wanted to know all the while what was passing between us, between you and me; and she wouldn't take my solemn assurance that nothing was passing but what might have directly passed between me and old Mummy. She said a pretty girl like you was a nice old Mummy for me, and, if you'll believe it, she never called you anything else but that. I'll be hanged if I haven't been good, haven't I? I haven't breathed a breath of any sort to you, have I? You'd have been down on me hard if I had, wouldn't you? You're down on me pretty hard as it is, I think, aren't you? But I don't care what you say now, or what Mona says, either, or a single rap what any one says: she has given me at last, by her confounded behavior, a right to speak out, to utter the way I feel about it. The way I feel about it, don't you know, is that it had all better come to an end. You ask me if I don't love her, and I suppose it's natural enough you should. But you ask it at the very moment I'm half mad to say to you that there's only one person on the whole earth I really love, and that that person—" Here Owen pulled up short, and Fleda wondered if it was from the effect of his perceiving, through the closed door, the sound of steps and voices on the landing of the stairs. She had caught this sound herself with surprise and a vague uneasiness: it was not an hour at which her father ever came in, and there was no present reason why she should have a visitor. She had a fear, which after a few seconds deepened: a visitor was at hand; the visitor would be simply Mrs. Gereth. That lady wished for a near view of the consequence of her note to Owen. Fleda straightened herself with the instant thought that if this was what Mrs. Gereth desired Mrs. Gereth should have it in a form not to be mistaken. Owen's pause was the matter of a moment, but during that moment our young couple stood with their eyes holding each other's eyes and their ears catching the suggestion, still through the door, of a murmured conference in the hall. Fleda had begun to make the movement to cut it short when Owen stopped her with a grasp of her arm. "You're surely able to guess," he said, with his voice dropped and her arm pressed as she had never known such a drop or such a pressure—"you're surely able to guess the one person on earth I love?" The girl hesitated an instant; she was conscious that she must choose between two risks. She had had a secret and the secret was gone. Owen had one, which was still unbruised, and the greater risk now was that his mother should lay her formidable hand upon it. All Fleda's tenderness for him moved her to protect it; so she faced the smaller peril. "Their delay," she brought herself to reply, "may perhaps be Mona's doing. I mean because he has lost her the things." Fleda still hesitated. "Why, it was worse than yours."